May 23, 2008
It was the second day of tracking with Chad Szeliga (Breaking Benjamin) for the Forever Oeuvre project. Chad is working from FO's founder Ronny Paige's demo's which had midi drums played on a keyboard by Ronny. To me they sounded almost impossible to replicate on the drum set, but that's exactly what Chad did. These are parts that would've made Danny Carey cross-eyed but Chad somehow made sense of them. He maintained a can do attitude and took it as his mission to make the parts work.
Been giving two new snares from Mapex a workout for a review in DRUM! magazine. We used the new 5.5x14" Black Panther SS Solid Steel snare drum on two songs today. It has a dry sound but tons of punch and never got out of control. The drum is made from a solid steel pipe then is routed out on the inside leaving "soundrings" on the top and bottom, not unlike glue hoops on a wood snare drum. Keep an eye out for my review.
May 22, 2008
May 20, 2008
May 16, 2008
I'm at the George Augsburger-designed "Big Room" at Water Music in Hoboken, NJ with the band Morningwood , cutting drums on four songs for an upcoming EP on Capitol Records. MW's bassist, Pedro Yanowitz, is also an excellent drummer (having played for The Wallflowers among others) and did a fine job on the songs. Sam Koppelman (Sean Lennon, Yoko Ono, Amy Winehouse) also played on the session.
I love the drum room at Water Music because it sounds great and you can track with a huge room sound but you also have the choice to tighten up the sound with gobo's and baffles. Producer Kato Khandwala had already tracked everything but drums because of scheduling issues, so the challenge was to fit the drums to existing tracks . We used the ubiquitous Eames 13" and 15" toms (which sounded huge in the room) and my one-of-a-kind 5x14" Drum Heaven Raw Brass snare drum, the Pearl Steve Ferrone, and Pedro's 1920s brass 7x14 Ludwig & Ludwig.
May 14, 2008
Setup / Equipment Offenses-
Brings a 26" bass drum - $25
Has more than one bass drum - $100.
Brings an 8" deep snare (for a solid back beat) - $50.
Brings more than 2 mounted toms - $25.
Has a tubular chrome bar that holds all his mounted toms - $50.
Brings more than one floor tom - $25.
Uses extra floor tom for ashtray & drink holder - $75
Brings more than two crash cymbals - $25.
Doesn't bring a ride cymbal - $250.
Brings a 46" Chinese gong (for big endings) - $75.
Brings two timpa ni (for really big endings) - $100.
Brings extra splashes (Just in case) - $25 each
Doesn't own any brushes - $300.
Owns brushes but can't play them - $500
Has a hi-hat that is welded shut - $250.
Asks leader where he can plug in his headphones - $200.
Asks Guitarist for help with unloading drums - $150
Wears dirty white Nike sneakers on tux gig - $50.
Tunes snare drum during the benediction - $175.
Tunes snare drum - $10
Is first in line at the party's buffet -$50.
Asks where the "to-go bags" are at the buffet line -$100.
Asks the bartender for 3 "Purple Shooters" - $50.
Says to the bride "You've got a nice set of hooters" - $25.
Says to the brides mother "Hey this is a f#%*in' good party"- $150.
Is ten minutes late for the next set - $25.
Is twenty minutes late for the next set - $10.
Never shows up for the next set - $1.
Excessive Sweating - $5000
Hits on singer's girlfriend - $5
Hits on club owner’s wife - $1000
Bringing a mega kit to a multiband gig. - $100
Breaking that kit down on stage after set. - $250
Asks bassist to move rig so third floor tom will fit onstage - $50 (per Sq. Ft.)
Extra logo stickers on bass drum head - $75 each.
Stick holders - $10
Drumming Shoes - $100
Drumming gloves - Dismissal
Double pedals - $500
USING the double pedals. - Dismissal
Wearing Zildjian T-shirt onstage. - $50
Roto toms. - $50 each
Extra deep kicks and toms. - $50 each
Glow in the dark drumsticks - $500
May 8, 2008
I worked with Orlando, FL's own No Harm Done at The Outpost yesterday and really enjoyed their fast-paced melodic punk songs. Producer Jim Siegel who owns and operates the Outpost decided to track the band live and wanted a tighter drum sound so we moved the kit from it's usual front and center position in the room to the left corner. He put up a couple of baffles and mic'ed accordingly. Jim is one of the fastest and best engineers I've worked with and I learn so much from him at every session we do. The main tracking room at The Outpost is, for my money, the best drum room in New England. The room is very live all the way around without having any nasty standing waves or distortion. I've done more records there (Dropkick Murphys, Death Before Dishonor, Unseen, etc.) than any other studio and Jim and I always have some good laughs.
We used the house 22x16" Yamaha Recording Custom bass drum, my Eames 13x9" and 15x15" toms and the ubiquitous Pearl Steve Ferrone snare drum.
Drummer Tommy Cantwell and the band were completely prepared and knocked off about 19 tunes in a couple of days. Tommy looks like the kid next door but hits the drums with the authority of a seasoned player. Keep an eye out for these guys on their next tour.