I pieced together a "toy" drum kit for the middle section of a song called "Miss Nothing" for Taylor Momsen's new CD. I used a 16" DW floor tom for the kick, a no-name piccolo tuned high, and hi hat with an 11" K Splash on the bottom and an old Avedis Zildjian "sock" cymbal on the top. Session producer Kato Khandwala recorded the kit with a pair of custom tube ribbon mics into Neve mic pre's and a Roger Mayer compressor. Sounded really cool. And yes, that's a Bowflex weight set holding the tom in place...
Dec 30, 2009
"Toy" drums w/ Taylor Momsen and the Pretty Reckless
I pieced together a "toy" drum kit for the middle section of a song called "Miss Nothing" for Taylor Momsen's new CD. I used a 16" DW floor tom for the kick, a no-name piccolo tuned high, and hi hat with an 11" K Splash on the bottom and an old Avedis Zildjian "sock" cymbal on the top. Session producer Kato Khandwala recorded the kit with a pair of custom tube ribbon mics into Neve mic pre's and a Roger Mayer compressor. Sounded really cool. And yes, that's a Bowflex weight set holding the tom in place...
Dec 29, 2009
Taylor Momsen and The Pretty Reckless @ The House Of Loud, Elmwood Pk., NJ
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This is a Rock record with a capitol R and Kato sets the bar just as high for the drums as he does for the rest of the production, so the first order of business was getting a deep and full kick drum sound. I took the resonant head off of the house DW bass drum and used my 1960s Gretsch kick as a resonator in front of it. We put a D112 in the DW and a Rode Classic II in the Gretsch to get a punchy thick sound.
I got to use a brass Pearl Sensitone on a song called "Light Me Up" and I'm really happy with the way it turned out. I bought it used at GC a couple of years ago for short money, clean up the bubbling plating, and hot-rodded it for the studio. The drum sings like Pavarotti and has a musical cut to it not unlike an old Black Beauty.
Dec 22, 2009
The Take Back @ The Outpost 12/18/09
Boston punkers The Take Back hit the Outpost to record the first seven tracks for their upcoming CD due in 2010. Hard-hitting drummer Dave Sexton brought the rock and sailed through basics in just a few hours. We used the standard Yamaha kick with Eames toms and although Dave's Ludwig Black Beauty is pictured here, we ended up using the Pearl Steve Ferrone - what a surprise! Dave has a somewhat unorthodox way of setting up the kit - toms flat with the rack tom off to the side and cymbals up high. Works for him and kind of reminds me of the Pretenders' Martin Chambers.
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